Alaska

Inspired by the elegance of geometric sans serif fonts, this typeface embraces simple geometric forms — circles, triangles, and rectangles — embodying a contemporary and constructed design.

Designer:  Ian Party

→ 240 Styles
→ 539 Glyphs per Style
→ 1 Variable
→ From CHF 200



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Aa



Types to they that be of the craft are as things that be alive. He is an ill worker that handleth them not gently and with

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Most Sacred Majesty: On the 22nd day of the month of May of the year 1678, I dispatched from an unknown location, off the coast of Mexico, to the Madeline de Brest , a vessel, and in her a servant of mine, with orders to pass on my letter and its contents to your Majesty. I’ve encountered the people of these distant parts. It seems to me important that your Highness should become acquainted with my doings. I will therefore narrate some events plainly and to the best of my ability. I will describe only the principle and most remarkable incidents of said journey. Great discoveries have been made in your Majesty’s name. Mexico holds unfathomable quantities of gold, and silver, much beauty can be found in this savage place. As your Majesty is aware, this new world is also being explored by the Spanish. Our expedition avoids the Spaniards at all costs. This is to fend off any battles that may occurred if our two parties met. Most of the lands have not been touched by the hand of man. Roads and passages can hardly be found here. The mountains are so high and the forests so thick and impenetrable, that we could only see the spot where we placed our feet. Looking upwards, blue skies disappeared over our heads, the trees so tall and so close to each other, that those who climbed up them to discover land could not see beyond a stone’s throw . We found a village with several maize plantations in the finest of possible conditions. We also found other provisions, fowls, honey, beans and other produce of the land. The natives, if there were any at this place, not having shown themselves or made any oppositions, my men carried with us as much as we could back to the ship. Our provisions were running scare at this time. It was indeed a most welcome discovery and compensation for all our past troubles, for had we not found it at that moment, we should all have perished through hunger. The Mexica Empire, tribes, and peoples hold so many dark and mysterious secrets. They are ruthless heathens, with many gods that hunger for human sacrifice and blood. It happened that one of my men saw one of the Indians who had come with me from the Tenuxtitlan eating a piece of flesh taken from the body of another Indian, whom he had killed on entering Iztapan. When the case was reported to me, I had the Indian arrested, and there, in the presence of all, had him burnt alive, for having slain and afterwards eaten of the fellow creature. An abomination, which your Majesty, and myself in your royal name, have repeatedly condemned, ordering the people of these parts to abstain from doing.

Most Sacred Majesty: On the 22nd day of the month of May of the year 1678, I dispatched from an unknown location, off the coast of Mexico, to the Madeline de Brest , a vessel, and in her a servant of mine, with orders to pass on my letter and its contents to your Majesty. I’ve encountered the people of these distant parts.

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Weight 400
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Contrast 0
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Cap height 1505
X height 1067
Baseline 0
Descender -595
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Uncategorized

Formats

Variable font (TTF, OTF, WOFF2)
+ 240 single styles (OTF, TTF, WOFF2)

Languages

Afrikaans, Albanian, English, Asu, Low German, Basque, Bemba, Béna, Cape Verdean, Catalan, Cebuano, Cisena, Cornish, Corsica, Mauritian Creole, Spanish, Estonian, Filipino, Finnish, French, Friulan, Scottish Gaelic, Galician, Gusii, Ido, Indonesian, Interlingua, Irish, Isangu, Italian, Javanese, Jju, Kalendjin, Kiga, Kinyarwanda, Lojban, Luo, Luxembourgeois, Luyia, Makondé, Makua, Malay, Malagasy, Mannois, Matchamé, Northern Ndebele, Ndebele South, Nyankolé, Occitan, Oromo, Portuguese, Romansh, Rombo, Roundi, Rwa, Samburu, Sango, Sardinian, Shambala, Shona, Soga, Somali, Northern Sotho, Southern Sotho, Swedish, Swiss German, Swahili, Swati, Taita , Taroko, Teso, Tsonga, Tswana, Vunjo, Walloon, Xhosa, Zulu

Alaska

Alaska Geometric Variable Typeface: a nod to exploration, forward thinking, and the rich heritage of the Aleut language. Derived from the Aleut word Alaxsxaq, meaning mainland, this font embodies the essence of its namesake state, much like the motto “North to the Future.” As we embark on a journey of exploration and innovation, Alaska Geometric Typeface stands as a beacon of forward-thinking design.

Drawing inspiration from the geometric sans serif fonts that gained popularity in the 1920s and 1930s, Alaska pays homage to the elemental typography, a movement catalyzed by The Bauhaus. This experimental era reshaped the creative landscape, giving birth to new perspectives in architecture, design, art, language, and type design. Embracing simple geometric forms—circles, triangles, and rectangles—Alaska Geometric Typeface embodies a contemporary and constructed feel, mirroring the spirit of that transformative period.

In the realm of variable fonts, Alaska Geometric Typeface takes center stage, offering endless possibilities through its variable font format. With 220 fonts included in the package, this font becomes a versatile companion for any project, providing nuanced control over weight, width, and other typographic elements.
The font’s minimal contrast and even widths reflect its geometric archetype, ensuring adaptability to diverse design scenarios. Available in both OTF and WOFF formats, Alaska Geometric Typeface seamlessly integrates with modern technology, enhancing its compatibility across various platforms.

Step into the future of design with Alaska Geometric Variable Typeface — where exploration meets innovation, and the legacy of elemental typography converges with cutting-edge variable font technology. With its contemporary feel and endless possibilities, this font is not just an addition to your font catalogue; it’s a statement of design evolution. Single variable font, 220 styles, limitless exploration, on demand.

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